Thursday, October 16, 2008
Gabriel García Márquez (1968)
The first children who saw the dark and slinky bulge approaching through the sea let themselves think it was an enemy ship. Then they saw it had no flags or masts and they thought it was a whale. But when it washed up on the beach, they removed the clumps of seaweed, the jellyfish tentacles, and the remains of fish and flotsam, and only then did they see that it was a drowned man.
They had been playing with him all afternoon, burying him in the sand and digging him up again, when someone chanced to see them and spread the alarm in the village. The men who carried him to the nearest house noticed that he weighed more than any dead man they had ever known, almost as much as a horse, and they said to each other that maybe he'd been floating too long and the water had got into his bones. When they laid him on the floor they said he'd been taller than all other men because there was barely enough room for him in the house, but they thought that maybe the ability to keep on growing after death was part of the nature of certain drowned men. He had the smell of the sea about him and only his shape gave one to suppose that it was the corpse of a human being, because the skin was covered with a crust of mud and scales.
They did not even have to clean off his face to know that the dead man was a stranger. The village was made up of only twenty-odd wooden houses that had stone courtyards with no flowers and which were spread about on the end of a desert like cape. There was so little land that mothers always went about with the fear that the wind would carry off their children and the few dead that the years had caused among them had to be thrown off the cliffs. But the sea was calm and bountiful and all the men fitted into seven boats. So when they found the drowned man they simply had to look at one another to see that they were all there.
Monday, October 6, 2008
Thursday, September 4, 2008
Ulysses
Alfred, Lord Tennyson (1833)
It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an agèd wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel; I will drink
Life to the lees. All times I have enjoyed
Greatly, have suffered greatly, both with those
That loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vexed the dim sea. I am become a name;
For always roaming with a hungry heart
Much have I seen and known-cities of men
And manners, climates, councils, governments,
Myself not least, but honored of them all-
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untraveled world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breathe were life. Life piled on life
Were all too little, and of one to me
Little remains; but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
This is my son, mine own Telemachus,
To whom I leave the scepter and the isle —
Well-loved of me, discerning to fulfill
This labor, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.
There lies the port; the vessel puffs her sail:
There gloom the dark, broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me —
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads — you and I are old;
Old age hath yet his honor and his toil;
Death closes all; but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks;
The long day wanes; the slow moon climbs; the deep
Moans round with many voices. Come, my friends.
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down;
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are:
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Sunday, August 17, 2008
Official Releases
"Dry Drunk Emperor" (2005) - free download offered in the wake of Hurricane Katrina
"You Could Be Love" and a vocal demo of "Staring at the Sun" (2004) - available from Touch & Go Records
Early Demos
OK Calculator (2002)
Tunde Adebimpe - The Colophone EP
Promotional Downloads
Live on The Current, MPR: 10/8/2006 - great take of "Dry Drunk Emperor"
Live on KEXP: 10/24/2006 - "Blues From Down Here" from this session is a personal favorite
Live on The Interface, Spinner: 11/2006 - great versions of "Wash the Day" and "Province"
Kyp Malone, Live on Má Fama: 7/24/2007 - fascinating solo cuts by Kyp with a revealing take on "Playhouses"
Other Promotional Material
Xfm, X-posure Live: 2/6/2004
Live on KEXP: 11/6/2004
Live on KCRW: 9/22/2006 - nice session; audio or video
Live on World Cafe, NPR: 12/21/2006 - superlative session and interview
NapsterLive
Because pretension is the worst quality in artists, a healthy dose of humor in the form of the Return To Cookie Mountain Advertising Campaign:
Pass It On
Lyrics
Mr. President
Breakdown City
Street Account
Dance Off
And while I'm at it, a collection of music videos thus far:
Staring at the Sun - from Desperate Youth, Bloodthirsty Babes
Dreams - from Desperate Youth, Bloodthirsty Babes
Dreams - from Desperate Youth, Bloodthirsty Babes (unofficial video)
Modern Romance - from New Health Rock EP (Yeah Yeah Yeahs cover)
Wolf Like Me - from Return To Cookie Mountain
Province - from Return Cookie Mountain
Tuesday, August 5, 2008
- Leo Tolstoy - "How Much Land Does a Man Need?" (1886)
- Plato - "Allegory of the Cave" from The Republic (≈ 360 B.C.)
- Aristotle - "Aristotle on Slavery" from Politics (≈ 330 B.C.)
- Selections from the Rig-Veda (≈ 15th-10th Century B.C.), Upanishads, & the Bhagavad Gita (≈ 8th Century B.C.)
- Asvaghosa - "The Enlightenment of the Buddha: Buddhacarita" (2nd Century A.D.)
- Confucius - Selections from The Analects (5th Century B.C.)
- "Moses and the Ten Commandments: Israel at Mount Sinai" from The Torah (Events ≈ 13th Century B.C.)
- "The Night Journey" from The Koran (650)
- The Dalai Lama - "The Ethic of Compassion" from Ethics for the New Millennium (1999)
- Lao-tzu - Selections from the Tao-te Ching (6th Century B.C.)
- Alan Watts - "Beat Zen, Square Zen and Zen" (1958)
- C. S. Lewis - "Meditation in a Toolshed" from God In the Dock (1979)
- Niccolò Machiavelli - "The Qualities of the Prince" from The Prince (1513)
- Francis Bacon - "The Four Idols" from Novum Organum (1620)
- Voltaire - Candide: Or, Optimism (1759)
- Jonathan Swift - Gulliver's Travels (1726)
- Jonathan Swift - "A Modest Proposal" (1729)
- Margaret Killjoy & Colin Foran - Selections from A Steampunk's Guide to the Apocalypse (2007)
- Jean-Jacques Rousseau - "Origin of Civil Society" from The Social Contract (1762)
- Thomas Jefferson - "The Declaration of Independence" (1776)
- Elizabeth Cady Stanton - "Declaration of Sentiments and Resolutions" (1848)
- Karl Marx & Friedrich Engels - The Communist Manifesto (1848)
- Charles Darwin - "Natural Selection" from On the Origin of Species by Means of Natural Selection (1859)
- Stephen Jay Gould - "Nonmoral Nature" (1982)
- William Paley - Selection from Natural Theology (1802)
- Sigmund Freud - "The Oedipus Complex" from The Interpretation of Dreams (1899)
- Howard Gardner - "A Rounded Version: The Theory of Multiple Intelligences" (1993)
- Frederick Douglass - Selection from Narrative of the Life of Frederick Douglass, an American Slave (1845)
- Jamaica Kincaid - Selections from A Small Place (1988)
- Robert Louis Stevenson - Treasure Island (1883)
- Herman Melville - Moby-Dick; or, The Whale (1851)
Tuesday, June 17, 2008
And yet he not only survived his worst winter, but seemed improved with the first sunny days. He remained motionless for several days in the farthest corner of the courtyard, where no one would see him, and at the beginning of December some large, stiff feathers began to grow on his wings, the feathers of a scarecrow, which looked more like another misfortune of decreptitude. But he must have known the reason for those changes, for he was quite careful that no one should notice them, that no one should hear the sea chanteys that he sometimes sang under the stars. One morning Elisenda was cutting some bunches of onions for lunch when a wind that seemed to come from the high seas blew into the kitchen. Then she went to the window and caught the angel in his first attempts at flight. They were so clumsy that his fingernails opened a furrow in the vegetable patch and he was on the point of knocking the shed down with the ungainly flapping that slipped on the light and couldn't get a grip on the air. But he did manage to gain altitude. Elisenda let out a sigh of relief, for herself and for him, when she watched him pass over the last houses, holding himself up in some way with the risky flapping of a senile vulture. She kept watching him even when she was through cutting the onions and she kept on watching until it was no longer possible for her to see him, because then he was no longer an annoyance in her life but an imaginary dot on the horizon of the sea.


